How long is pergolesi stabat mater

For musical progressives, this was the most stirring music imaginable. Padre Martini was only one of many conservatives, however, who found little to distinguish the Stabat mater musically from the comic La serva padrona. That was a rather bold statement from one of the early biographers of Johann Sebastian Bach, since Bach himself — hardly an uninitiated amateur — valued the work highly enough to arrange it for his own use in Leipzig within ten years of its composition.

He did liberate the viola part from its doubling of the bass line, and made rhythmic alterations as needed for the new text. That should be the ultimate imprimatur, if any were truly needed. The gracefully balanced phrases, the clarity, and the operatic expressivity that so entranced the most modern musicians of the time were built over solid Baroque forms and enriched with enough polyphonic detail to please the most fastidious of masters. Bach surely appreciated both the pre-Classical lyrical plasticity and the old-school fundamentals that have continued to sustain this piece so popularly in the repertory.

All Rights Reserved. Privacy Policy. Stabat Mater Giovanni Battista Pergolesi. Eja, Mater fons amois 8.

Fac, ut ardeat cor meum 9. Sancta Mater, istud agas Fac, ut portem Christi moetem Inflammatus et accensus Contents 1 Performances 1. Schattdorf: Gagnaux Collection. Javascript is required for this feature. For more information about New Trinity Baroque, visit the website. Performer Pages Papalin Voices, Recorders. These file s are part of the Werner Icking Music Collection.

Performers MIDI. Performers PhotoScore. Transposed to G minor. Performers Finale Performers Marc Boniteau. Pub lisher. Fac ut portem Christi mortem. Inflammatus et accensus. Allegro ma non troppo.

Quando corpus morietur. Largo assai - Amen. Presto assai. Ensemble Resonanz Riccardo Minasi. Rossell: Salve a duo. Salve Regina. Mater misericordiae. Other pro-Italian French writers also helped to create the legend of the Stabat mater. But for the most part Pergolesi maintains a mood of supplication, with melodies of great tenderness. Large amounts of music contained in the modern Opera omnia of Pergolesi printed in Rome in — have since been proved to be by other composers.

Indeed, of the works in this edition, 69 are misattributions, 49 are questionable, and only 30 may be considered genuine! At the same time, a large number of works attributed to Pergolesi, some of which may be genuine, were omitted.